
The Passion - Characters John Baptist (Andrew
Green) Jesus (Andrew Barr) Angel (Ruth Lusby) Blind Man (Paul Jenkins) Poor Man (Adam Buxton) Three Women Philip (Martin Stickley) Peter (Steve Machin) Burgher Judas (David Kestell) Andrew (Tony Isherwood) John (Paul Jenknis) Disciples (7) Marcellus (Tom Brewster) Knights Knight 1 (Rob Spray) is the foreman: Knight 2 (Tony Isherwood) is something of a henchman: Knight 3 (David Kestell) is the whinger of the outfit,
seeing problems everywhere, presumably with much sucking of teeth: Knight 4 (Martin Stickley) is the eagerest to get the job done Malcus (Adam Buxton) Cayphas (Richard Bray) Annas (Rod Petty) Woman (Sandra Nightingale) Pilate (Rob Spray) Percula (Jenny Goldney) Barabbas (Paul Jenkins) Death (Andrew Green) Simon of Cyrene (Andrew Green) Mary Mother (Rosemary Gentry) Mary Magdelene (Emma Wise) Mary Salome (Heather Buxton) Bag Lady (Special Guest!) The Company The Band
In order of appearance
Appears only in the first scene, to baptise Jesus
Massive part!
Present at the baptism of Jesus
Witness to Christ's entry into Jerusalem
Witness to Christ's entry into Jerusalem
Witness to Christ's entry into Jerusalem
Disciple. Has lines only in Christ's entry into Jerusalem
Disciple. Main character in the Denial of Jesus
Proclaims Jesus when he enters Jerusalem. Lines will probably be
shared by a number of Burghers from the Company.
Disciple and Christ's betrayer.
Disciple. Has lines only in the Last Supper scene
Disciple.
The un-named disciples are needed for non-speaking parts in scenes
such as the Last Supper. These are James (son of Zebedee), James (son of
Alphaeus), Bartholemew, Thomas, Matthew, Thaddeus (also known as Judas son of
James, or Lebbaeus) and Simon the Zealot (also known as Simon the Canaanite).
Washes Jesus' feet at the Last Supper
Considerably more than walk-on parts, the Knights have a good
deal to say and do, including having the longest scene - the Crucifixion -
almost to themselves. In the darkest of moments, the Knights still manage
to provide a little humour, though falling short of the pantomine style
some of the characters had in The Nativity. For example, assigned as the
workmen to erect the cross, their arguing about how to do it is timeless.
Probably a named Knight, in addition to the other 4. Has his ear chopped off by
Peter in a scuffle when Jesus is arrested, which is miraculously restored by
Jesus.
The High Priest "Cayaphas". The spelling presumably comes from the York play on
which The Passion is based. Contrives to have Jesus arrested and executed.
Side-kick of Cayphas
Denounces Peter, and gives evidence at the Trial of Jesus
Roman governor. Scene with his wife has some humour. Whether this is quite
Basil and Sybil Fawlty remains to be seen, but it could be!
Wife of Pilate. Ambitious and power-hungry. Scene with Pilate has some
humour. Whether this is quite Basil and Sybil Fawlty remains to be seen, but it
could be!
Criminal released instead of Jesus
Makes a brief appearance to take Judas
Carries Christ's cross on the road to Calvary
Mother of Jesus, appears towards the end of the play to mourn.
Key link to the third play in the cycle, Doomsday, as this continues the story
where The Passion leaves off.
Mourns Jesus
Mourns Jesus
Delivers the final monologue, similar to Death in The Nativity. Breathtakingly
effective.
The entire company are called upon to greet the audience
as they come in and join the action at various stages. There is less full
company action than in The Nativity. Most of those with named parts will
also take part as general members of the company.
The music in The Passion is mostly performed by the Band rather than
the Company. There are fewer songs and more incidental music than in The
Nativity, and the incidental music has a strong "early music" feel. We
will be using a band line up as close to the original Home Service as we can.
Key instruments in achieving this are keyboards, drums, electric guitar, bass,
melodeon, violin, saxophone, trumpet and trombone. In addition, the early music
numbers use instruments to suit this genre, including low reeds and
recorders.